Sunday, October 27, 2013

Rekindling Ties



When we talk about a gathering, we are talking about people coming together. Throughout 2013, as part of a tourist-led initiative, Ireland is opening its arms to friends and family across the globe, calling them home to ‘gatherings’ in villages, towns and cities.

The Irish diaspora is not unlike the Chinese diaspora whereby economic turmoil in generations past had forced the people to leave their homeland in search for survival and a better future. Over 70 million people worldwide claim Irish ancestry. 
                                                                A scene in Strokestown
Amidst a rich culture of song and stories, one of the gathering’s most poignant returns took place in Strokestown, Co.Roscommon in July. The scene whereby the descendants of an Irish Famine boy was welcomed home 167 years after his family had to emigrate was emotional and heart moving.

Daniel Tighe was 12 when his family was forced to leave Ireland in July 1847 when his  father died and his mother Mary Kelly, in an act of trying to hold the family together, left the country with her five children.
Famine monument in Sligo


She boarded a Famine ship for Quebec, never to reach there. She and three of her five children died on the journey and only Daniel and his sister Catherine (9) survived. When Canadian farmer Francois Coulombe needed a boy to help on his farm outside Quebec, he chose Daniel and Catherine became hysterical and clung on to her brother’s leg, sobbing. The Coulombes said, “We’ll take them both.” And they did. Daniel’s descendants still live on the farm today and the Canadian parents allowed the children to keep their surname. Daniel never forgot the image of corpses being thrown overboard before coming into Grosse Ile, one of the islands located in Gulf of St. Lawrence Quebec, in Canada.
                                                                                                                      
Families get separated all the time – usually for economic reasons, where one generation wishes another generation  a better life, a greater head start. My father came from China for the very same reason, and now I see many young Malaysians leaving the shores of the country they call home, never to return.

There is yet another type of separation which I feel is equally as  painful and costly – that is the separation by choice or because of bad blood. Family feuds have left members estranged from each other, with no resolution but only that of great remorse when one of the parties lies cold in the casket and there is no turning back in time and no more opportunities for apologies. 

We all know of at least one relative who is not speaking to another, one son who has left home with no forwarding address,  one aunt who has not seen her niece, one child who has never known she is adopted, one parent who has never met the child she gave up for adoption.  So there is a mushrooming of agencies trying to put families together, societies committed to tracing the family tree and lots of money spent along the way for that bit of essential information which could hopefully close the aching chasm within.

In fact both my parents were adopted so I never really knew who my biological grand parents were and even my surname is not my grand dad’s surname. If I had my ancestral roots documented, I can imagine the stories I could write about, the streets of the little village out in China somewhere where I could trod.  I can also know whether I inherited my artistic bent from any of my grand parents.

I do not want my children to go through that, so I have put together bits and pieces of trivia as well as significant information about who they are, who their parents are and who their grandparents are.

And they are all packed in 3 plastic files with their names on them, together with mittens, hand prints cast in plaster and the first lock of  shorn hair.



Source: Columnist, New Straits Times, 20 October 2013










Sunday, October 13, 2013

Heaney's Verses More than just Poetry in Emotion

When I first read about the Stendhal syndrome I was intrigued. The illness is named after the famous 19th-century French author Stendhal (pseudonym of Henri-Marie Beyle), who described his experience with the experience during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. Apparently, it is a psychosomatic disorder that causes rapid heartbeat, dizziness, fainting, confusion and even hallucinations when a person is exposed to art, usually when the art is particularly beautiful or a large amount of art is in a single place. 

I therefore reason that if there are curious reactions to beautiful art , then certainly there must be a term to describe the condition of one who is overwhelmed by the writings of great literary geniuses and Ireland has no shortage of such.

The recent demise of the poet Seamus Heaney on 30 August 2013 is a real loss to Ireland. The nearest I got to knowing the poet was through his poems and also by walking past his house in Sandymount, Dublin.

The similarities we share are an eye for detail and a love for the written word.

My first introduction to analysing poetry was during my Form Six days when I did the English literature paper four. Granted, poetry is not everyone’s cup of tea. Having said that, a good teacher and an innate passion for poetry appreciation transcends the bumps along the way and the combination of both finally led me to pursue a degree in English literature.
 
At 18, in a hot classroom with fans whirling, we learned to make sense of cultural imagery that was so far removed from our daily existence as light is to day. 
 
How similar could tropical heat and broiler chickens be to Yeats’ trees in their autumn beauty and nine and fifty swans upon the brimming water’? How similar could hibiscus shrubs be to Wordsworth’s host of golden daffodils?
 
And yet, we all survived. Imagination is a strange thing. We can paint vivid images in our mind just the way we read about them and we can even feel the same emotions that the poet wants to portray if not more. Such is the power of the ‘squat pen that sits between the finger and the thumb’ that Seamus writes about.
 
It is all about familiarity.
 
When imagination meets reality and they both harmonise and agree, that is when the magnificence of the written word dawns.
 
In his poem ‘Digging’ Seamus wrote about two main activities – potato planting and turf cutting.  I have planted potatoes and understand how ‘the spade sinks into the gravelly ground’ and how ‘the rump stoops in rhythm through potato drills.’   

The last time we got some turf from the bog, it was exactly like how Seamus described his grand father ‘nicking and slicing neatly, heaving sods, over his shoulder, going down and down for the good turf.’
It became very familiar again when he talked about appreciation and acceptance.

How did the people in his town react to him being awarded the Nobel prize for literature in 1995? In his own words to a friend, initially, they ‘ignored’ it for the most part. Then after his passing, I waited for the national television stations to screen tribute after tribute to Ireland’s pride, only to find that the number of documentaries on Seamus screened by the BBC far exceeds that.

Then I thought about  our very own Tan Twan Eng who won the 2013 Walter Scott Prize for historical fiction for his second novel The Garden of Evening Mists and  Tash Aw who won the 2005 Whitbread Book Awards First Novel Award as well as the 2005 Commonwealth Writers Prize for Best First Novel (Asia Pacific region). How many Malaysians have actually heard of them or read their works?

I have recorded the televised tributes to Seamus and I will watch them again. I have audio recordings of his readings and I will listen to them again. I have his poems and I will read them again.

And then unlike Stendhall who wrote about being ‘absorbed in the contemplation of sublime beauty... I reached the point where one encounters celestial sensations… I had palpitations of the heart… Life was drained from me. I walked with the fear of falling’, another kind of reaction could be born.

This time it would be a positive reaction related to the written arts.


Source: http://www.nst.com.my/opinion/columnist/heaney-s-verses-more-than-just-poetry-in-emotion-1.374592?cache=03%252f7.198169%2F7.173253%2F7.480262%2F7.478218%2F7.478218%2F7.478218%2F7.490557%2F7.490557%2F7.490557%2F7.490557