When I was a child I didn’t dream of visiting Disneyland. Instead I wanted to go to the land beyond the wardrobe. I wanted to go to Narnia, where it was perfectly normal for animals to talk and there was a free flow of Turkish delight. My sister had bought us a complete set of The Chronicles of Narnia and at ten they were the best books ever!
C. S. Lewis had captivated children of all ages with his Narnia tales which had sold 100 million copies worldwide. As a young boy, Lewis spent much holiday time in the Mournes and Rostrevor in particular. He is reported to have written a letter to his brother saying: “That part of Rostrevor which overlooks Carlingford Lough is my idea of Narnia”
And the wonder was still there when I followed the Narnia trail in Kilbroney Park in Rostrevor, County Down and entered the magical doorway. The door has become an icon in ‘The Lion, the Witch and the Wardrobe’ which is the first book in the series,I saw the beaver’s house, the castle Cair Paravel, the dancing lawn, the four thrones and most of all the lion Aslan himself.
So like Lucy Pevensie, I pushed the soft folds of the clothes in my mother’s wardrobe hoping that I could go deeper and deeper beyond the back of the wardrobe so that I would feel something soft and powdery and extremely cold beneath my feet. I was hoping that I would see the lamp post and that Mr. Tumnus the faun would be waiting for me.
C. S. Lewis had captivated children of all ages with his Narnia tales which had sold 100 million copies worldwide. As a young boy, Lewis spent much holiday time in the Mournes and Rostrevor in particular. He is reported to have written a letter to his brother saying: “That part of Rostrevor which overlooks Carlingford Lough is my idea of Narnia”
The image of the door captivates me.
Whether in ancient mythology or in dreams, the door symbolizes the transition and passageway from one place to another. It stands like a divide between belief and disbelief, between cowardice and valour, between betrayal and reconciliation and between life and death.
It is the process of transition that is the most difficult. We can come out of challenges remaining unchanged or we can experience significant character development. Lucy Pervensie in her simple trusting nature embraces a new life beyond the door but the other characters did not believe her initially.
The door is both full of potential and limiting because we do not know what lies beyond. We can open the door to new knowledge, to liberty and to change. We can open the door to a new self or we can choose not to open the door.
What is it that prevents us from opening the door?
Most times it is the ego. The ego that resists change. The ego that resists being taught. The ego that resists being humbled. The ego that struggles to say I am wrong and you are right. Or we can keep the door closed to harbour a secret. We feel safe behind a closed door because we are familiar with the same old, same old.
At the end of the first book, the Pevensies asked Professor Kirke how they could return to Narnia if they wanted to. His advice was, “Indeed, don’t try to get there at all. It’ll happen when you are not looking for it.”
There is wisdom in that. It takes time for someone to be ready to open the door to something totally different. And just when you are not trying so hard, all at once everything falls into place and the transition becomes effortless.
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